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Managing Your Time, when Music isn't Your "Day Job"

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You CAN do everything.

Repeat.

You CAN do everything. What you cannot do, however, is do everything at the same time, or create a day thats longer than 24 hours.

The two most important aspects of time management are acceptance and choice. When you think of time in terms of acceptance and choice, youre never wrong, bad, or lazy, youve just made certain choices. When you think in terms of discipline and willpower, however, your inner critic can really do a number on you. We already have low self-esteem as artists; lets not add to the problem!!

An example of this from my own life is that I choose to live alone instead of with a roommate; that means I also choose higher rent and the need to bring in enough income to cover that rent. When sneaky thoughts of resentment or self-pity creep in to my head, I need to remember the choice that I made, and I need to accept this is how things are for now.

Here are some tips for using choice and acceptance to manage your time.

Decide what you want to have time for. What keeps getting pushed to the back burner or rushed through? How will you spend your time once youve made your songwriting dreams come true and youve become the artist youre meant to be? Nourish this vision until its clear in your mind. Its essential to know what youre working towards. Remember, you wont always be this busy unless you choose to be.

Choose not to be this busy for one week, track your time using a time log. You can make one yourself; simply chart out (on paper or on the computer) your day in fifteen-minute intervals and then record what you do in each of those blocks of time. Completing a time log will illuminate how much time youre spending on different things. Look carefully at the choices youre making. What do you most want to do with the time you have available?

Accept your day job for what it is a source of the financial support you need to eat and live and write songs! Practice feeling grateful for the job you have, instead of feeling resentful about the time its taking away from your songwriting. For instance, what recording equipment, CDs, manuscript paper, software programs or musical instruments have you bought from the money you earned in this job? Also, the job is giving you life experiences, and most likely lots of opportunities to interact with other people. Your passion is to communicate with people through your music how can you take some of that passion and apply it to your day-to-day interactions? What kind of stories do your co-workers have to tell? What ideas do those stir up for you that you can use in your writing?

Look for a day job thats meaningful and thats taking you in the direction of your dreams. Do you need some ideas? Try meditating to access inner wisdom and spiritual guidance. If songwriting is your primary passion, whats your second passion? What ELSE gets your juices flowing? Theres no need to be in a job that doesnt make you feel alive, in order to support what does. Some artists that I know get lots of fulfillment from teaching children or adults about their craft. Others take jobs that involve public speaking, to give them more experience and confidence talking to groups. Some take jobs in music stores, where they can have lots of time to learn about the newest equipment, meet lots of fellow artists, and get a discount, to boot!

Schedule time with yourself for your songwriting, collaborating and rehearsing. Keep these dates with yourself and others as sacred appointments!

Be good to your body and dont sacrifice sleep for productivity (if you keep doing that, you wont be in much shape to produce anything!).

There are only a couple of things that we really NEED to do every day. Everything else is a choice.

This article was originally published on the Muses Muse Songwriters Resource website (November 2004) http://www.musesmuse.com.

(c) Copyright 2005, Genuine Coaching Services.

Linda Dessau, the Self-Care Coach, helps artists enhance their creativity by addressing their unique self-care issues. To receive her free monthly newsletter, Everyday Artist, subscribe at http://www.genuinecoaching.com/artist-newsletter.html

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Eric Clapton has the magic touch when it comes to presenting a song. If you want to play Eric Clapton songs on the guitar there's a couple of things you need to keep in mind to help you produce Eric's unique sound.

Does Eric's sound come from his Fender guitar? No, Eric Clapton could make just about any guitar sound great. Eric plays with a degree of emotion and sensitivity rarely found in rock or blues guitar players.

The secret to playing Eric Clapton songs is to understand how he chooses his chords and scales carefully to help him present a song. Here's ... tips to get the famous Clapton sound.

Tip 1. Use the Aeolian mode in your solos.

While most guitarist are content to play the minor pentatonic scale in many instances Eric's preference is the Aeolian mode.

The Aeolian mode contains all the notes of the minor pentatonic with the addition of two extra notes.

Here is some examples:

D minor pentatonic scale = D, F, G, A and C

D Aeolian mode contains = D, E, F, G, A, Bb, C

The significance of the two extra notes is that they create a very important musical tension. The musical tension is caused by the distance of a semitone. A semitone is the distance of one fret on a guitar. When you play the D Aeolian mode on your guitar notice how there is a between semitone between the notes E and F and the notes A and Bb.

You can hear a good example of Eric playing a solo based on the D Aeolian mode if you listen to "Layla" on the Clapton Unplugged album. In this solo Eric uses a combination of D Aeolian mode and the D blues scale.

Tip 2. Play power chords for fast chord changes.

When playing fast Clapton songs or songs with fast chord changes use power chords.

A most popular type of power chord is simply a two note chord that uses the tonic note and it's fifth. It's quite common to see these chords indicated as "5" chord e.g., C5, G5, D5 etc

Eric Clapton songs that use this style of chord are Layla (the original electric version), Sunshine Of Your Love, Cocaine.

Tip 3. Learn to play the 12 bar blues.

Being able to identify a song by recognizing it's form is a vital part of learning songs quickly.

Here is an example of a 12 bar blues in the key of E.

E /// | A /// | E /// | E ///|

A /// | A /// | E /// |E ////|

B /// | A /// | E /// | E ///||

There's two songs on the Clapton Unplugged album that uses this exact format. Both "Before You Accuse Me" and "Malted Milk" blues are based on this 12 bar blues form.

In the hands of an experience performer like Eric Clapton these simple musical raw materials can be very effective.

Mike Hayes develops systems and products to help you succeed in your guitar playing. Find out more about how to learn guitar fast with his popular free ecourse, available at: => http://www.guitarcoaching.com


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